Basic Information
| Field | Details |
|---|---|
| Full name | Lara Melanie Saget |
| Date of birth | October 16, 1989 |
| Age (as of Oct 12, 2025) | 35 |
| Birthplace / Base | New York — based in Brooklyn |
| Education | BA, Barnard College (2012); MFA, NYU (2018) |
| Mediums | Sculpture, installation, glass, bronze, marble, mixed media, sound |
| Studio | Brooklyn (studio practice and process videos) |
| Family | Daughter of Bob Saget and Sherri Kramer; sisters Aubrey and Jennifer; paternal grandparents Rosalyn and Benjamin Saget |
| Public presence | Artist website, active Instagram studio posts and reels |
Content Sections
Molten glass formed like a memory, stone coaxed into a gesture, bronze caught mid-breath—Lara Melanie Saget’s work is basic and domestic. She is a maker who lives where material refuses and creator insists. Lara’s work records material experimentation and minor successes, including residencies across the world, solo and group shows, and studio movies that turn process into education. She was born in the late 1980s and trained at Barnard and NYU.
Formation and education
Her 2012 bachelor’s degree and 2018 MFA are from reputable institutions. They transitioned from student experiments to studio life. The BA laid a liberal-arts basis; the MFA honed material logic and conceptual framework. 2012 and 2018 were the years when coursework became permanent responsibilities and residencies began to accumulate on her CV.
Media and methods
Lara treats glass, marble, and bronze as languages with grammar. She alternates between kiln-glass and carved stone, molten material and meticulous chisel work. Her work combines music and installation to explore presence, spatial choreography, and surface. She posts studio clips showing the choreography: instruments, heat, hands, and virtually surgical patience.
Professional milestones and residencies
From local gallery shows to international residency programs, Lara’s CV lists a pattern of steady professional development: awards for kiln-glass, scholarships, and residencies in places far from Brooklyn. These residencies — sometimes as brief as a month, sometimes longer — function like concentrated laboratories where medium and idea collide. The output is pragmatic: new bodies of work, exhibition-ready pieces, and public projects that translate studio practice into communal encounters.
| Year range | Milestone |
|---|---|
| 2008–2012 | Undergraduate development, early exhibitions |
| 2014–2018 | Graduate study, MFA completed |
| 2019–2024 | International residencies, public sculpture projects, gallery shows |
| 2020s | Continued studio output, process videos and teaching reels |
Public identity and family context
The middle daughter of comedian and actor Bob Saget and Sherri Kramer, Lara has two sisters and is well-known. Lara publishes process reels, installation videos, and occasional remarks on practice, but her family identity has garnered attention. She displays artworks in public, not celebrity personas, and her relationship to the family narrative is meticulous and sensitive.
Moments of public note
The family’s sudden loss in early 2022 led to visible public tributes, and Lara posted reflections at the time; those moments were widely reported because of the family’s profile. Beyond that, her public footprint is defined by exhibitions, awards, and the steady cadence of studio content. In short: public family moments punctuate her timeline, but do not fully define it.
Studio presence and teaching
Lara’s social-media practice is not merely promotional; it’s instructional. Short reels and behind-the-scenes clips function like micro-lessons in making, inviting viewers into kiln logic, tool choice, and material temperament. That willingness to reveal process situates her within a contemporary cohort of artists who share techniques as part of professional culture, turning private labor into a public pedagogical act.
Aesthetic temperament
A temperament for her work would be fiercely tactile and softly naughty. Pieces that look like relics translated for a new age have surfaces that catch light like secrets and joints that form sentences. Her metaphors are not incidental: her pieces read like little dramas, where materials battle and sometimes give and the observer witnesses both the conflict and the quiet.
FAQ
Who is Lara Melanie Saget?
Lara Melanie Saget is a Brooklyn-based sculptor and visual artist who works in glass, bronze, marble, and mixed media and holds an MFA from NYU.
When was she born?
Her listed birth date is October 16, 1989, which makes her 35 years old as of October 12, 2025.
What is her educational background?
She completed a BA at Barnard College in 2012 and an MFA at New York University in 2018.
What materials does she work with?
She works across kiln-glass, bronze, stone, and installation practices, often combining sound and mixed media.
Has she shown internationally?
Yes; her CV lists international residencies and exhibitions, including public sculpture projects and gallery shows up through the mid-2020s.
Who are her immediate family members?
She is the daughter of Bob Saget and Sherri Kramer and has two sisters, Aubrey and Jennifer, with additional paternal relatives in her extended family.
Is she active on social media?
Yes; she maintains an active presence with studio posts, process videos, and occasional personal reflections.
What distinguishes her practice?
Her practice is distinguished by material fluency, a commitment to process-sharing, and residencies that extend studio questions into public projects.
